Bedtime Story

When I was a little girl, about six years old, living in Helsinki, one of my mother’s dearest friends came to our home for supper. Her name was Eila. She lived nearby and had known our family since before I was born. She belonged to that rare kind of friendship that seems to outlast the years and all that life can bring. To me, she felt like an aunty.

That evening, my mother and Eila sat at our kitchen table with freshly baked cinnamon rolls and cups of coffee. I can still see it in my mind so clearly. The kitchen was warm and full of that particular kind of evening comfort I have never forgotten — the soft clink of cups, the low murmur of familiar voices, the feeling of being safe in the middle of something ordinary and good. Some moments do not seem important when they are happening, and yet they stay, quietly glowing somewhere inside us for the rest of our lives.

I was meant to be getting ready for bed, but I lingered, not wanting to leave the warmth of the kitchen or the comfort of their company. Eila noticed, and with such gentleness said that if I went and found a book, she would read me a bedtime story. I remember the small rush of happiness I felt. I ran to my room, chose a favourite book, and came back to climb into her lap.

I have never forgotten what she read to me that night.

It stayed with me in a way I could not have understood then. It settled somewhere deep, and over the years it has returned to me again and again, like certain old truths do. I think some stories enter us quietly, almost unnoticed, and then spend a lifetime unfolding.

The story went something like this.

There was once a little princess standing at the edge of a vast golden field. As she looked across it, her fairy godmother appeared and asked, “What do you see?”

The princess answered, “I see a great field of wheat, ripe for the picking.”

Her fairy godmother smiled and told her that she could pick as many stalks of wheat as she wished, and each one would be turned into a diamond. But there was one condition: she could walk through the field only once. She must keep moving forward and never turn back.

So the little princess set off through the golden field. Soon she saw a beautiful stalk and reached for it, but then, just ahead, she noticed one even finer. So she kept going. Again and again she passed by what was in front of her, always certain that something better was still waiting further on. And before she knew it, the field had ended.

There stood her fairy godmother, waiting to turn the wheat she had gathered into diamonds.

But when the little princess looked down, her hands were empty.

I still remember Eila explaining to me, so gently, that the field was life and the stalks of wheat were the opportunities given to us along the way. Even as a child, I felt something in that story land heavily in me. In the quiet, serious way that children sometimes understand things, I made a small decision that night. I would gather as much wheat as I could. I did not want to come to the end of life with empty hands.

And I think, in some way, I have carried that thought with me ever since.

But life does not stay as simple as a story told on someone’s lap in a warm kitchen. When I was little, the field ahead seemed endless. It shimmered with promise. Everything still felt possible then. But the older I have grown, the more I have come to see how complicated a life can be. There are things we do not choose because we are afraid, or tired, or wounded, or because the weight we are carrying is already more than enough. There are seasons when merely continuing on is all we can do. Seasons when the field does not look golden at all.

When I think of that story now, I hear it differently than I did as a child.

Back then, it felt like a warning not to miss my life.

Now it feels more like a mirror.

I think about the times I kept going, assuming there would be time later. I think about all that is easy to overlook while one is busy enduring, managing, coping, carrying, loving. I think about how often we see most clearly only in hindsight. And I think, too, about how unkind memory can sometimes be — how quickly it draws our eyes to what was left undone, while overlooking all that was quietly held in our hands.

Perhaps that is why this little story has stayed with me for so many years. Not because it gave me a rule for living, but because it has continued to change with me. It has met me differently at different stages of life. Once it stirred urgency in me. Now it stirs tenderness.

Tenderness for the little girl who listened so intently, wanting already to live well.

Tenderness, too, for the woman I became, who has not always known which stalks to gather, who has sometimes walked on when she should have stopped, and stopped when she should have walked on, who has known joy and sorrow, strength and weariness, hope and regret, and has tried, in the midst of it all, to keep going.

No one walks through the field perfectly. No one gathers everything. No one reaches the far edge without some ache for what was missed, or what might have been. But perhaps a life is not measured only by what slipped through our fingers. Perhaps it is also measured by what we carried without even realising it — the love we gave, the burdens we bore, the ways we endured, the small faithfulness of simply continuing on.

When I think now of the little princess standing at the end of the field with empty hands, I no longer see only regret. I see innocence. I see longing. I see the sorrow of realising too late. But I also see something achingly human in her. And perhaps that is why I still hold her close.

She reminds me that life is lived only forward, and understood only in fragments. She reminds me how easy it is to believe we have gathered nothing, simply because we cannot turn back and measure the field again. And she reminds me, too, of that warm kitchen in Helsinki, of cinnamon rolls, of coffee, of the kindness of my aunty who took the time to read to a child and, without ever knowing it, placed a story in her heart that would remain there for life.

Some memories do not fade.

They deepen.

And some stories do not leave us.

They simply wait, until we are old enough to hear them properly.

4 Comments Add yours

  1. Anne-Marie's avatar annemariedoecke says:

    For some reason, I thought of this poetry…

    They go out, they go out, full of tears, carrying seed for the sowing; they come back they come back, full of song, carrying their sheaves.

    Psalm 126

    Liked by 1 person

    1. Well found Anne-Marie! Yes it does talk about carrying sheaves. The fairytale Eila read to me was a story by American Indians / First Americans / Indigenous Americans but as I have pondered it later in life, I have also found the connection to psalm 126 which talks about carrying sheaves. There is also an old hymn that has similar words: “Fearing neither cloud nor winter’s chilling breeze, By and by the harvest and the labour ended, We shall come rejoicing bringing in the sheaves”.

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  2. Anne-Marie's avatar annemariedoecke says:

    Really appreciate your comment and how it all ties together.

    Liked by 1 person

    1. That makes me smile!!

      Like

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